All MOLA, Pier Francesco 's Paintings

The Painting Names Are Sorted From A to Z
Usually people can find a painting's picture with different colors. We just upload all of them here.
They are just the options for you and you can choose the best one or the one with your favorite colors.

Choice	ID	Image	Painting (From A to Z)	Details
	19463		Barbary Pirate with a Bow	1650 Oil on canvas Mus??e du Louvre, Paris.
	20585		Barbary Pirate with a Bow (mk05)	Canvas,67 1/2 x 48 1/2''(172 x 123 cm)Acquired in 1948
	19462		Herminia and Vafrino Tending the Wounded Tancred	Oil on canvas Mus??e du Louvre, Paris.
	20584		Herminia and Vafrino Tending the Wounded Tancred (mk05)	Canvas 27 x 36 1/4''(69 x 93 cm)Acquired for Louis XIV in 1685
	31011		Herminie gardant ses troupeaux grave sur un arbre le nom de Tancrede	mk70 H.0.69 L.0.92 Paris,Musee du Louvre
	19461		Jacob's Meeting with Rachel	oil on canvas The Hermitage, St. Petersburg.
	28993		Self-portrait	mk65 Pastel on paper 13 11/16x9 13/16in Uffizi,Cabinet of Drawings and Prints
	40489		Self-Portrait	mk156 1650-66 Pastel on paper 34.7x24.9cm
	8237		St Peter Freed from Prison dh	c. 1630 Oil on canvas Galleria Borghese, Rome
	43097		THe Rest on the Flight into Egypt	mk170 1630-1635 Oil on canvas 3.5x45.7cm
	62406		Virgin Annunciate	1608-09 Marble, over life-size Museo dell'Opera del Duomo, Orvieto Mochi first achieved fame with his Angel of Annunciation of 1603-05 for the Orvieto Cathedral, a work whose vigour and directness reflect the artist's earnestness in reformulating a conventional theme. Three years lie between the Angel of Annunciation and the Virgin Annunciate which completed the composition. Here Mochi evoked reminiscences of Rome, in particular the suavity of Mariani and the more active type of Classical statuary, but added his own flair for dramatic gestures by showing the Virgin starting from her chair. Mochi's work has sometimes been explained as a response to Caravaggio, yet it is better understood as part of a general concern with conveying emotions through external expressions, something manifests in the work of Carracci and Reni, as well as that of Caravaggio. Interestingly enough, the forcefulness of Mochi's Virgin Annunciate was not to the liking of the Bishop of Orvieto, who opposed its placement in the cathedral for three years. See also the Angel of Annunciation. Author: MOCHI, Francesco Title: Virgin Annunciate , 1601-1650 , Italian Form: sculpture , religious

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